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                  <text>Acting. . . t h e thrill of it all
. . . and some of its pains
by Charlene Sabath

When I was a little girl I wanted to be in
the movies. Last week I got my chance.
I was thrilled when I got the call telling
me I was going to be an extra in the madefor-TV movie, “Skokie.” I quickly enlisted
members of my family into helping me
choose my wardrobe. The casting director
informed me that I was to dress as if it
were spring and, therefore, the ensemble
for my premier performance as an actress
included thermal underwear.Not exactly a
touch of class by Hollywood’s standards,
but when the temperature outside is 30
degrees and the casting director says to
dress warm, who am I to argue?
Other official instructions included
arriving on the set promptly at 7a.m.;
being on call all day if needed; listening to
the director’s instructions carefully; and
not asking the director or principal actors
for autographs or pictures so as not to
disrupt their concentration.

Commentary
WHEN THE DIRECTOR, Herbert Wise
(he directed The Sound of Music) walked
into the room I was impressed. His
assistant director explained that the
scenes to be shot would probably take
about four to five hours, all outdoors, and
we would be given breaks in between to
come inside and warm up. I was very
anxious to begin and to find out more about
this business of making movies.
During the morning the words film,
action and cut all took on new meaning for
me as I was part of the action for the first
time in my life. The words cold and
frostbite also took on new meaning as I
began tapping my shoes against the
pavement to get feeling back into my
frozen toes.
After about an hour’s shooting,
complaints about the cold from the other
extras began getting louder. A scene in
which we were all to yell “never again” in
anticipation of the Nazis arriving in Skokie
began to take on aspects of reality as
demonstrators began to demand a break.
After more shooting of the same scene,
several extras began to lead the crowds
toward village hall for an unofficial break
to warm up, and what had been a staged
demonstration nearly turned into a real
mob scene. Pleas from the crew for us to
come back on the set for just a couple of
minutes longer turned the crowd around,
but this time the words “never again”
were shouted in earnest. Comments such
as “There has to be an easier way to earn
$30” and “I’ll never do this again” could be
heard. One man yelled, “They’re probably
going to shoot the winter scenes in July.”

I ARRIVED PROMPTLY at 7 a . m .
(quite an accomplishment since my body
doesn’t usually function as a unit until at
least noon) and found about 200 extras
quickly filling the inside of Skokie’s
Village hall. The scene in which we would
be used was an anti-Nazi demonstration
filmed outside of village hall. All of the
extras were separated into spectators,
Holocaust survivors, members of the
Jewish Defense League and newspaper
people.
The spectators (I was one) were asked to
sit in the council chambers while awaiting
further directions. We also were given pay
vouchers to fill out with which we would
receive $30 in cash at the end of the day’s
shooting.
As I looked around the room I noticed
familiar faces, some of whom I knew when
I lived in Skokie. I wondered what
motivated all these people to get up early
in the morning and come to village hall to
be an extra in a movie. I wondered if some
of them had dreams of being actors and
actresses when they were younger and if
finally, here was a way to make those
dreams come true. Throughout the day, I
heard many reasons. A few were
professional extras who had been in
movies before; others just wanted to see
what making a movie was all about; still
others wanted to be seen on camera; and
some were out for a day of fun and a new
experience.
AFTERWARDS, I hurried into village
hall along with the other extras for hot
coffee and an extra pair of socks, which I
brought along “just in case.”
Aside from the shooting out of doors and
the cold weather, neither of which the crew
had any control over, everyone was very
polite and amiable throughout the day.
Coffee, tea, hot chocolate and rolls were
provided for all the extras and the
directors thanked everyone for following
instructions and doing a good job.
The rest of the morning went quickly
with more shots of the demonstration
scenes. One skirmish between the police
and JDL members seemed real enough as
one extra got poked in the stomach with a
club and another came flying out of a
group of bodies and landed on the
pavement in front of me.
WHEN THE TWO casting directors
announced that most of the extras would
be released after lunch, I felt disappointed.
I didn’t want to leave the land of make
believe just yet.
A box lunch was served to us at St.
Paul’s Lutheran School across the street
from village hall, and afterwards only
about 25 extras remained to do a scene on
Oakton and Lincoln. Somewhat tired and
still cold I went along just to watch and to

observe. As I stood on the corner watching
the cameraman trying to shoot what
appeared to be a difficult scene because of
all the traffic and pedestrians, I caught a
glimpse of Eli Wallach (one of my favorite
actors).
Then it was back to village hall to pick
up my belongings. I had started the day
with anticipation and now even though my
toes were still numb from the cold, I was
even more thrilled. I had been in a movie
with Danny Kaye and stood right next to
him. I watched a talented and famous
director at work and saw how cameramen
and soundmen operate their equipment.
I felt very special to be part of this day
when the film-makers turned the village
hall parking lot into a set and hundreds of
ordinary people into actors and actresses.
I look forward to seeing the movie when it
airs on CBS-TV this spring and I will watch
the anti-Nazi demonstration scenes to see
if I recognize any of the extras I worked
with. Maybe I’ll even see myself.

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                <text>&lt;p&gt;During the late 1970s, a small group of neo-Nazis based in Chicago attempted to hold a rally in the Village of Skokie, Illinois, a community that was known to have a large Jewish population. Local officials resisted the group’s efforts through by passing a series of ordinances aimed at preventing demonstrations or parades by hate groups. The ordinances were ultimately overturned following a series of state and federal lawsuits because they infringed on the group’s First Amendment rights and the neo-Nazis were issued a permit to demonstrate in Skokie. However, instead of facing the growing number of organized counter-demonstrators, the group held rallies in Federal Plaza and in Marquette Park in Chicago. &lt;br /&gt;&lt;br /&gt;Visit &lt;a title="Attempted Nazi March in Skokie" href="https://skokiehistory.omeka.net/exhibits/show/attempted-nazi-march/timeline"&gt;Skokie Public Library's online exhibit&lt;/a&gt; to see the events as they unfolded. The library's digital collection, seen here, includes newspaper articles, editorials, recordings from the Skokie Village Board of Trustees meetings, a memoir written by a local clergywoman, and two documentary films.&lt;/p&gt;
&lt;p&gt;For further information, you can find more resources in the library. If you have questions or comments send us an &lt;a title="email Skokie Public Library" href="mailto:tellus@skokielibrary.info"&gt;email &lt;/a&gt;or call us at 847-673-3733.&lt;/p&gt;</text>
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                <text>&lt;h3&gt;&lt;a title="Attempted Nazi March in Skokie" href="https://skokiehistory.omeka.net/exhibits/show/attempted-nazi-march/timeline"&gt;Attempted Nazi March in Skokie online exhibit&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>Skokie History</text>
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              <text>Sabath, Charlene</text>
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              <text>An extra from the made-for-television movie "Skokie" recounts her experiences during its filming.</text>
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              <text>12/4/1980</text>
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              <text>Demonstrations -- Illinois -- Skokie</text>
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            <elementText elementTextId="265">
              <text>National Socialist Party of America</text>
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              <text>Skokie (Motion picture)</text>
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              <text>Sabath, Charlene</text>
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              <text>Skokie Review, Thursday, December 4, 1980, Pioneer Press Newspapers, Glenview, IL</text>
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